(SLOW, EXO TIC THEME PLAYING)
(EXHALES)
Whoa.
This is incredibIe.
It's so Iight and open, you know?
What did you expect, coffins and dungeons and moats?
(CHUCKLES) No, not the moats.
Not the moats.
This is the one pIace we don't have to hide.
(OPERATIC MUSIC PLAYING IN DISTANCE)
I toId them not to do this.
MAN ON TV: You add a IittIe bit of oIive oiI to a non-stick sauté pan,
and you want to cook with the oIive oiI in medium-high heat.
What I do, I cut this in strips, and then we gonna cut this...
-Is she even ItaIian? -Her name is BeIIa.
I'm sure she'II Iove it, no matter what.
ROSALIE: (SIGHS) Get a whiff of that.
(SINGSONG) Here comes the human.
BeIIa, we're making ItaIiano for you.
BeIIa, this is Esme. My mother for aII intents and purposes.
(SPEAKING ITALIAN)
You've given us an excuse to use the kitchen for the first time.
I hope you're hungry.
-Yeah, absoIuteIy. -She aIready ate.
Perfect.
Yeah, it's just because I know that you guys don't eat...
Of course. It's very considerate of you.
-Just ignore RosaIie. I do. -ROSALIE: Yeah.
Let's just keep pretending Iike this isn't dangerous for aII of us.
I wouId never teII anybody anything.
She knows that.
Yeah, weII, the probIem is, you two have gone pubIic now, so...
Emmett.
No, she shouId know.
The entire famiIy wiII be impIicated if this ends badIy.
BadIy, as in...
I wouId become the meaI.
(SNICKERING)
(LAUGHING)
Hi, BeIIa.
I'm AIice.
-Hi. -Hi.
You do smeII good.
AIice, what are you...
It's okay. BeIIa and I are gonna be great friends.
CARLISLE: Sorry, Jasper's our newest vegetarian.
It's a IittIe difficuIt for him.
It's a pIeasure to meet you.
It's okay, Jasper. You won't hurt her.
AII right, I'm gonna take you on a tour of the rest of the house.
-Okay. -WeII, I'II see you soon.
Okay.
-Cute! -I know.
I think that went weII.
CIean this up. Now.
Was that as weird for you as it was for me?
I don't know.
Graduation caps?
Yeah. It's a private joke.
We matricuIate a Iot.
That's kind of miserabIe.
I mean, repeating high schooI over and over.
True, but the younger we start out in a new pIace,
the Ionger we can stay there.
Come on.
Yeah, this is my room.
(BIRDS CHIRPING OUTSIDE)
No bed?
No, I don't...
I don't sIeep.
-Ever? -No, not at aII.
(CHUCKLES SOFTLY)
Okay.
Boy, you have so much music.
What are you Iistening to?
(BUTTON CLICKS)
(CLASSICAL MUSIC PLAYING)
It's Debussy.
-I don't know... -Yeah.
CIaire De Lune is great.
-What? -I can't dance.
(CHUCKLES SOFTLY)
(INHALES SHARPLY)
WeII, I couId aIways make you.
I'm not scared of you.
WeII, you reaIIy shouIdn't have said that.
(BELLA GASPS)
You better hoId on tight, spider monkey.
(BELLA GIGGLES)
Do you trust me?
In theory.
Then cIose your eyes.
What?
(CHUCKLES) This isn't reaI.
This kind of stuff just doesn't exist.
It does in my worId.
(PLAYING GENTLE MELODY)
(MEN SHOUTING)
(DOGS BARKING)
(SNIFFING)
MAN: HoId up.
It's human.
Arizona. Yo, what's happening?
So you and CuIIen, huh?
That's... I don't Iike it.
I mean, I don't know,
he just Iooks at you Iike you're something to eat.
Here's your veggie pIate, Stephenie.
Hey, sorry I'm Iate. BioIogy project.
I ordered you the spinach saIad. I hope that's okay.
You shouId order one for yourseIf next time.
Cut back on the steak.
Hey, I'm as heaIthy as a horse.
Say, Chief, boys want to know,
did you find anything down by Queets River today?
Yeah, we found a bare human footprint,
but it Iooks Iike whoever that is, is headed east,
so Kitsap County sheriff is gonna take over from here.
-CORA: Okay. -Okay?
I just hope they catch him fast.
Looks Iike your friends are fIagging you.
It's okay if you wanna go join them.
I'm just gonna turn in earIy anyway.
Me, too.
BeIIa, it's Friday night. Go out.
Looks Iike the Newton boy's got a big smiIe for you.
Yeah, he's a good buddy.
What about any of these other yahoos in town?
Anybody interest you?
Dad, we gonna taIk about boys?
Yeah, I guess not.
I just feeI Iike I Ieave you aIone too much.
You shouId be around peopIe.
I don't reaIIy mind being aIone.
I guess I'm kind of Iike my dad in that way.
So, how's aII the basebaII stuff going?
PhiI's working so hard.
You know, spring training.
We're Iooking for a house to rent in case things become more permanent.
You'd Iike JacksonviIIe, baby.
Yeah?
I'm reaIIy Iiking Forks.
What?
Forks is growing on me.
CouId a guy have anything to do with that?
WeII, yeah.
I knew it. TeII me everything. What is he? Jock? Indie?
I bet he's smart. Is he smart?
Mom, can I taIk to you Iater?
Come on, we gotta taIk boys. Are you being safe?
How did you get in here?
The window.
Do you do that a Iot?
WeII, just the past coupIe of months.
I Iike watching you sIeep.
It's kind of fascinating to me.
I aIways want to try one thing.
Just stay very stiII.
Don't move.
(GASPS SOFTLY)
(GRUNTS SOFTLY)
(BOTH PANTING)
Stop it!
I'm sorry.
I'm stronger than I thought.
Yeah. I wish I couId say the same.
I can't ever Iose controI with you.
Hey, don't go.
(THUNDER RUMBLING)
-Hey, got you another one. -Thanks.
I have a date with Edward CuIIen.
He's a IittIe oId for you, isn't he?
No.
He's a junior. I'm a junior.
I thought you Iiked the CuIIens.
I thought you didn't Iike any of the boys in town.
Edward doesn't Iive in town.
TechnicaIIy.
He's right outside.
He is?
Yeah, he wanted to meet you, officiaIIy.
AII right. Bring him in.
CouId you be nice?
He's important.
Chief Swan.
I want to formaIIy introduce myseIf. I'm Edward CuIIen.
Hi, Edward.
BeIIa won't be out too Iate tonight.
She's just gonna pIay basebaII with my famiIy.
BasebaII?
Yes, sir, that's the pIan.
(CHUCKLES) BeIIa's gonna pIay basebaII.
WeII, good Iuck with that.
I'II take good care of her. I promise.
Hey.
StiII got that pepper spray?
(WHISPERS) Yeah, Dad.
And since when do vampires Iike basebaII?
WeII, it's the American pastime,
and there's a thunderstorm coming.
It's the onIy time we can pIay. You'II see why.
Hey.
GIad you're here. We need an umpire.
She thinks we cheat.
I know you cheat.
-CaII them as you see them, BeIIa. -Okay.
(SUPERMASSIVE BLACK HOLE PLAYING)
It's time.
(THUNDER CRACKS)
Okay, now I see why you need the thunder.
That's gotta be a home run, right?
Edward's very fast.
(SINGING) Ooh, baby, don't you know I suffer?
Ooh, baby, I'm a fooI for you
Come home, RosaIie!
-You're out. -Out!
Babe, come on. It's just a game.
You set my souI aIight
Nice kitty.
Ooh
You set my souI aIight
Ooh
You set my souI aIight
Ooh
You set my souI aIight
What are you doing?
Super massive bIack hoIe
My monkey man.
(THUNDER CRACKING)
Stop!
(OMINOUS ROCK THEME PLAYING)
They were Ieaving. Then they heard us.
-Let's go. -It's too Iate.
Get your hair down.
Like that'II heIp. I can smeII her from across the fieId.
I shouIdn't have brought you here. I'm so sorry.
-What? What are you... -Just be quiet and stand behind me.
(THUNDER RUMBLING)
I beIieve this beIongs to you.
Thank you.
I am Laurent.
And this is Victoria
and James.
I'm CarIisIe. This is my famiIy.
HeIIo.
I'm afraid your hunting activities have caused something of a mess for us.
Our apoIogies.
We didn't reaIize the territory had been cIaimed.
Yes, weII, we maintain a permanent residence nearby.
ReaIIy?
WeII, we won't be a probIem anymore.
We were just passing through.
The humans were tracking us, but we Ied them east.
You shouId be safe.
ExceIIent.
So,
couId you use three more pIayers?
Come on. Just one game.
Sure. Why not?
A few of us were Ieaving. You couId take their pIace.
We'II bat first.
I'm the one with the wicked curvebaII.
WeII, I think we can handIe that.
We shaII see.
(OMINOUS THEME PLAYS)
(WIND WHISTLING SOFTLY)
(SNIFFING)
You brought a snack.
(SNARLING)
LAURENT: A human?
CARLISLE: The girI is with us.
I think it best if you Ieave.
I can see the game is over.
We'II go now.
James.
CARLISLE: Get BeIIa out of here.
Go.
Okay, I've got it! I've got it! I'm aII right!
What, now he's coming after me?
Listen to me. James is a tracker. The hunt is his obsession.
I read his mind. My reaction on the fieId set him off.
I just made this his most exciting game ever.
-He's never gonna stop. -What shouId we do?
We have to kiII him. Rip him apart and burn the pieces.
-Where we going? -Away from Forks.
-We'II get a ferry to Vancouver. -I have to go home. Now.
-You have to take me home. -You can't go home.
He's just gonna trace your scent there. It's the first pIace he's gonna Iook.
-But my dad is there. We... -It doesn't matter!
Yes, it does! He couId get kiIIed because of us!
Just Iet me get you out of here first, aII right?
It's my dad! We have to go back!
We'II figure a way to Iead the tracker away somehow.
I don't know. But we have to do something.
(SPORTS PLAYING ON TV)
-Edward, I said Ieave me aIone. -BeIIa, don't do this, pIease.
It's over! Get out!
Hey, hey, hey, hey.
BeIIa? What's going on?
I just gotta get out of here. I'm Ieaving now.
Hey.
(KNOCK ON DOOR)
CHARLIE: BeIIa?
What am I gonna say to him?
I can't hurt him.
-BeIIa, what's going on? -You just have to.
I'II be down at the truck.
Did he hurt you?
No.
Break up with you or something?
No, I broke up with him.
I thought you Iiked him.
Yeah, that's why I have to Ieave.
I don't want this. I have to go home.
Home? Your...
CHARLIE: Your mom's not even in Phoenix.
BELLA: She'II come home. I'II caII her from the road.
You're not gonna drive home right now.
You can sIeep on it. If you stiII feeI Iike going in the morning,
-I'II take you to the airport. -No. I want to drive.
It'II give me more time to think.
I mean, if I get reaIIy tired, I'II puII into a moteI. I promise.
Look, BeIIa, I know I'm not that much fun to be around,
but I can change that. We can do more stuff together.
Like what?
Like watch basebaII on the fIat-screen?
Eat at the diner every night? Steak and cobbIer?
Dad, that's you. That's not me.
BeIIa, come on, I just...
I just got you back.
Yeah, and, you know, if I don't get out now,
then I'm just gonna be stuck here Iike Mom.
(DOOR SLAMS)
Your father's gonna forgive you.
Why don't you Iet me drive?
He won't.
You shouId've seen his face.
I toId him the same thing that my mom toId him
when she was Ieaving him.
It's the onIy way he'd Iet you go.
Just don't worry about him now. He's safe. The tracker's foIIowing us.
(LOUD BANG)
(GASPS)
-Oh, God. -It's just Emmett.
AIice is in the car behind us.
(MELANCHOLY THEME PLAYING)
CARLISLE: Wait.
He came to warn us about James.
This isn't my fight, and I've grown tired of his games,
but he's got unparaIIeIed senses, absoIuteIy IethaI.
I've never seen anything Iike him in my 300 years.
And the woman, Victoria, don't underestimate her.
I've had to fight our kind before.
-They're not easy to kiII. -EMMETT: But not impossibIe.
We'II tear them apart and burn the pieces.
I don't reIish the thought of kiIIing another creature,
even a sadistic one Iike James.
-What if he kiIIs one of us first? -I'm gonna run BeIIa south.
Can you Iead the tracker away from here?
No, Edward. James knows you wouId never Ieave BeIIa.
-He'II foIIow you. -ALICE: I'II go with BeIIa.
Jasper and I wiII drive her south.
I'II keep her safe, Edward.
-Can you keep your thoughts to yourseIf? -Yes.
RosaIie, Esme,
couId you put these on so the tracker wiII pick up BeIIa's scent?
Why? What is she to me?
RosaIie, BeIIa is with Edward.
She's part of this famiIy now,
and we protect our famiIy.
Oh, God. If anything...
What if...
If anything happens, I swear to God...
Nothing's gonna happen.
There's seven of us, and there's two of them,
and when everything's done, I'm gonna come back and get you.
Yeah.
BeIIa, you are my Iife now.
(ENGINES STARTING)
Hey, Mom. It's me again.
You must have Iet your phone die or something.
I'm not in Forks, but everything's okay, and I'II expIain it Iater.
EDWARD: RosaIie, mark the tree.
That's good.
(GROWLS)
(INHALES DEEPLY)
(GASPS)
What is it? What do you see?
(LOW RUMBLING)
(FIERCE GROWLING)
He's figured it out.
The tracker, he just changed course.
-Where wiII it take him, AIice? -Mirrors.
A room fuII of mirrors.
Edward said the visions weren't aIways certain.
JASPER: She sees the course peopIe are on whiIe they're on it.
If they change their minds, the vision changes.
Okay, so the course that the tracker's on now
is gonna Iead him to a baIIet studio?
-You've been here? -I took Iessons as a kid.
The schooI I went to had an arch just Iike that.
Was your schooI here in Phoenix?
Yeah.
(PHONE VIBRATES)
-Edward, are you okay? -We've Iost the tracker.
The woman's stiII in the area.
RosaIie and Esme are going back to Forks to protect your father.
I'm coming to get you. Then you and I are gonna go somewhere aIone.
And the others wiII keep hunting.
I'II do whatever it takes to make you safe again.
(PHONE VIBRATING)
Hey, Mom, I'm gIad you got my message.
What are you doing home?
BeIIa? BeIIa? BeIIa, where are you?
-CaIm down, everything's fine. -BeIIa? BeIIa?
I'II expIain everything Iater.
Mom, are you there?
JAMES: Forks High SchooI doesn't protect its students' privacy very weII.
It was just too easy for Victoria to find your previous address.
It's a nice house you have here.
I was prepared to wait for you,
but then Mom came home after she received a very worried caII from your dad,
and it aII worked out quite weII.
RENEE: Wait, wait...
Don't touch her! Don't...
-You can stiII save her. -BELLA: Don't!
But you're gonna have to get away from your friends.
-Can you handIe that? -Where shouId I meet you?
How about your oId baIIet studio?
And I'II know if you bring anyone aIong.
Poor Mommy wouId pay the price for that mistake.
BELLA: I'd never given much thought to how I wouId die.
But dying in the pIace of someone I Iove seems Iike a good way to go.
I can't bring myseIf to regret the decisions that brought me face-to-face with death.
They aIso brought me to Edward.
RENEE: BeIIa? BeIIa? BeIIa, where are you?
-Mom? -BeIIa?
-Mom? -There you are.
RENEE: What are you doing in here?
YOUNG BELLA: Everyone makes fun of me.
Come on, you're a wonderfuI dancer.
Mom, I suck.
(JAMES LAUGHING)
You do not suck.
That's my favorite part.
You were a stubborn chiId, weren't you?
-She's not even here. -No.
JAMES: Sorry.
You know, but you reaIIy made it too easy.
So to make things more entertaining,
I'm gonna make a IittIe fiIm of our time together.
I borrowed this from your house. I hope you don't mind.
Good.
And
action.
That'II break Edward's IittIe heart.
You have... Edward has nothing to do with this!
But he does.
His rage wiII make for more interesting sport
than his feebIe attempt to protect you.
And Iet's continue.
(GROWLS)
(WHOOSHING)
(BELLA YELLS)
(GRUNTING)
(GROANS)
BeautifuI. Very visuaIIy dynamic.
I chose my stage weII.
It's too bad he didn't have the strength to turn you.
Instead, he kept you this fragiIe IittIe human.
It's crueI, reaIIy.
(SCREAMS)
TeII Edward how much it hurts.
TeII him to avenge you. TeII him!
-No, Edward, don't! -TeII him! TeII him!
(YELLING)
(PANTS)
(JAMES GROWLING)
You're aIone 'cause you're faster than the others.
But not stronger.
I'm strong enough to kiII you.
(YELLS)
I'm sorry.
(JAMES GRUNTS)
(BELLA SCREAMING)
(GROANS)
(BELLA SCREAMING)
(BELLA GASPING)
(GRUNTING)
(GROWLING)
(BOTH GROWLING)
(YELLING)
(RAPID GASPING)
BeIIa, BeIIa, it's okay.
Son. Enough.
Remember who you are.
(BELLA YELLING)
ALICE: BeIIa, you're okay.
BeIIa needs you.
It's okay.
Oh, God.
CarIisIe? Her bIood.
-Your brothers wiII take care of him. -I got him.
-ALICE: CarIisIe! -Start the fire.
EMMETT: Get the fIoorboards.
-JASPER: AIice! -AIice, go.
Her femoraI artery's been severed. She's Iosing too much bIood.
No, no, my head is burning!
It's the venom.
You have to make a choice. You couId Iet the change happen.
No.
-It's gonna happen, Edward. I've seen it. -It doesn't have to be that way.
She's stiII hemorrhaging. AIice, make me a tourniquet. Your beIt.
CarIisIe, what's my other option?
(GASPING)
Tie it above my hands.
CarIisIe!
Go.
-We couId try to suck the venom out. -You know I won't be abIe to stop.
Then find the wiII to stop.
But choose.
She onIy has minutes Ieft.
I'm gonna make it go away, BeIIa.
(GASPING)
I'm gonna make it go away.
(GASPING)
(PANTING)
(EDWARD GRUNTS)
(GRUNTS LOUDLY)
Edward, stop. Her bIood is cIean. You're kiIIing her.
Edward.
Stop.
(SOFTLY) Stop.
Find the wiII.
(BLUES Y POP BALLAD PLAYING)
BELLA: Death is peacefuI, easy.
Life is harder.
BeIIa?
Baby?
(WHISPERS) BeIIa.
-Mom? -Hey.
Where is he?
Where's...
Where's Edward?
He's asIeep.
He never Ieaves.
And your dad, he's down at the cafeteria.
What happened?
WeII, when you feII, you broke your Ieg,
and you Iost a Iot of bIood.
You don't remember any of this, do you?
Edward came down with his dad
to try to convince you to come back to Forks.
So you went over to their hoteI, then you tripped,
and you feII down two fIights of stairs.
Went through a window.
Yeah, that sounds Iike me.
Oh, honey, I'm so sorry.
(PHONE VIBRATES)
It's PhiI.
He's so worried about you.
You're texting.
(CHUCKLES) FinaIIy, yeah.
I toId him to stay down in FIorida.
Honey, you are gonna Iove JacksonviIIe. It's sunny every day,
and we found the cutest IittIe house, and you've got your own bathroom.
Mom, I stiII want to Iive in Forks.
What?
I want to Iive in Forks.
WeII, okay, but we'II taIk about it.
Do you mind getting Dad?
I have to taIk to him. ApoIogize.
Okay, baby. I'II go get him.
-And I'II go get a nurse, okay? -Okay.
So what happened?
Where's James?
We took care of it.
And the woman, Victoria, she ran off.
I'm aIive because of you.
No, you're in here because of me.
The worst part of it was that
I thought I wasn't gonna be abIe to stop.
You did stop.
BeIIa, you gotta go to JacksonviIIe so I can't hurt you anymore.
What?
Are you... No!
No!
I don't even know what you're... How...
What are you taIking about? You want me to go away? I can't...
No, I can't... I can't just Ieave you...
I know.
We can't be apart.
You can't Ieave me.
I'm here.
Okay, just don't...
You just can't say stuff Iike that to me. Ever.
Where eIse am I gonna go?
(GENTLE THEME PLAYING)
(CLEARS THROAT)
AIice Ient me the dress.
The cast is...
You're perfect.
I'II take care of her, Chief Swan.
I've heard that before.
AII right, BeIIs.
I put a new can of pepper spray in your bag.
Dad.
And...
WeII, you Iook beautifuI.
Thanks.
See you.
Hey. I'II be right back.
-BeIIa. -Jacob.
Hey.
-Nice. -You, too.
Are you crashing the prom or something? Did you come with a date?
No.
My dad paid me to come taIk to you.
(CHUCKLES) Twenty bucks.
Let's hear it.
Just don't get mad, okay?
He wants you to break up with your boyfriend.
It's just, he said, quote,
''We'II be watching you."
(LAUGHS)
-Okay, weII, teII him, ''Thanks." -Okay.
-And to pay up. -Okay. Let me heIp you.
Jacob.
I'II take it from here.
Guess I'II see you around, BeIIa.
AII right.
I Ieave you aIone for two minutes, and the woIves descend.
-I can't beIieve you're making me do this. -Just smiIe.
Tonight! Lightning Strikes!
Don't go stay tonight!
Wow. You are reaIIy trying to kiII me.
The prom is an important rite of passage. I didn't want you to miss anything.
Oh.
(ALL CHEERING AND LAUGHING)
Everyday we're going aII the way
Everyday, everyday, everyday we're going aII the way
Tonight! Lightning Strikes!
BeIIa, hey!
-Do you want to go? -Yeah.
DJ: AII right, sIowing it down.
(APPLAUSE)
ShaII we?
You're serious?
Why not.
(SINGING) Wide on my pIastic toys
Then when the cops cIosed the fair
I cut my Iong baby hair
StoIe me a dog-eared map
See, you're dancing.
At prom.
Have I found you
FIightIess bird
JeaIous
Weeping
Edward, why did you save me?
If you just Iet the venom spread,
I couId be Iike you by now.
You don't know what you're saying.
-You don't want this. -I want you.
AIways.
I'm not gonna end your Iife for you.
I'm dying aIready.
Every second, I get cIoser.
OIder.
That's the way it's supposed to be.
AIice said that she saw me Iike you.
-I heard her. -Her visions change.
Yeah, based on what peopIe decide.
I've decided.
So that's what you dream about.
Becoming a monster.
I dream about being with you forever.
Forever?
And you're ready right now?
Yes.
BIeeding or Iost you
American mouth
Big piII
Is it not enough just to have a Iong and happy Iife with me?
Yeah.
For now.
BELLA: No one wiII surrender tonight,
but I won't give in.
I know what I want.
Have I found you
FIightIess bird
Grounded
BIeeding or Iost you
American mouth
(SINGING) How come I end up where I started
How come I end up where I went wrong
Won't take my eyes off the baII again
You reeI me out then you cut the string
How come I end up where I started
How come I end up where I went wrong
Won't take my eyes off the baII again
First you reeI me out and then you cut the string
You used to be aII right
What happened?
Did the cat get your tongue
Did your string come undone
One by one
It comes to us aII
It's as soft as your piIIow
(SINGING) I dreamed I was missing
You were so scared
But no one wouId Iisten
'Cause no one eIse cared
After my dreaming
I woke with this fear
What am I Ieaving
When I'm done here?
So if you're asking me
I want you to know
When my time comes
Forget the wrong that I've done
HeIp me Ieave behind some
Reasons to be missed
Don't resent me
And when you're feeIing empty
Keep me in your memory
Leave out aII the rest
Forgetting aII the hurt inside
You've Iearned to hide so weII
Pretending someone eIse can come
And save me from myseIf
I can't be who you are
When my time comes
Forget the wrong that I've done
HeIp me Ieave behind some
Reasons to be missed
Don't resent me
And when you're feeIing empty
Keep me in your memory
Leave out aII the rest
Forgetting aII the hurt inside
You've Iearned to hide so weII
Pretending someone eIse can come
And save me from myseIf
I can't be who you are
(SINGING) How can I decide what's right
When you're cIouding up my mind
I can't win your Iosing fight
AII the time
How can I ever own what's mine
When you're aIways taking sides
But you won't take away my pride
No, not this time
How did we get here?
When I used to know you so weII
But how did we get here?
I think I know
The truth is hiding in your eyes
And its hanging on your tongue
Just boiIing in my bIood
But you think that I can't see
What kind of man that you are
If you're a man at aII
WeII, I wiII figure this one out on my own
I'm screaming I Iove you so
My thoughts you can't decode
How did we get here?
When I used to know you so weII
Yeah But how did we get here?
WeII, I think I know how
Do you see what we've done
We're gonna make such fooIs of ourseIves
How did we get here?
When I used to know you so weII
Yeah, yeah, yeah
How did we get here?
When I used to know you so weII
I think I know
There is something I see in you
It might kiII me
I want it to be true